A West Coast Swing DJ contacted me and kindly let me know that the tempo range I had listed for West Coast Swing was “entirely wrong.” The average tempos that she plays are between 90 and 110 bpm, while I listed a tempo range of 112-128 bpm.
Before I dig further into the details, I’d like to take a moment to thank this DJ and everyone who has taken the time to point out issues with the site. Curating a site like music4dance is a big job, and mistakes will creep in. So, having the community members speak up when they see something that seems wrong is essential to keeping the site as accurate as possible.
In this particular case, I found it surprising that the information I listed was entirely wrong. I don’t claim to be an expert on all (or even most) of the dances I cover on the site. But West Coast Swing is one of the dances I’m most comfortable actually dancing. My first thought was that some kind of regional difference was going on. But one of the DJs my interlocutor referred to plays at a venue I’ve danced at within the last decade.
My second thought was that this was a difference between the Ballroom community and the “Westie” community. That’s a bit closer to the mark. But as mentioned, I have done some social WCS dancing in the same venues where the DJs write about playing much slower tempos than I’m used to, so it couldn’t be the whole story.
The only other thing I could think of was that dances evolve over time. This is especially true with dances like WCS, which are danced to popular music that is also changing. In fact, that’s one of the things that I enjoy about WCS. As primarily a ballroom dancer, WCS is the dance that I can take out to a club and just get funky with. So, I’m pretty sure the combination of these three things brings me to a reasonable explanation of the difference that prompted the original email.
Dances evolving over time is something that both intrigues me and confounds the part of my brain that wants to be able to neatly categorize things. And the categorizing part of my brain is fairly dominant in building a site like music4dance.
One of the reasons that it even occurred to me that I could do this kind of categorization is that competition dances tend to “lock in” the tempo somewhat, at least for competitions where the DJs are required to play music within a specific range. That is true of Ballroom competitions but apparently not true of West Coast Swing competitions. I’ve updated my WCS social tempo to 80-130bpm, the broadest tempo range suggested by DJ Koichi Tsunoda in his post. This is the most authoritative source I could find. It doesn’t look like World Swing Dance Council or National Associate of Swinge Dance Events publishes requirements or recommendations for WCS tempo.
Contrary to my previous point, even Ballroom dance tempos evolve. I discovered that the Ballroom Dance organizations (NDCA and DanceSport) updated their tempo recommendations for competition dances since the last time I looked. But there wasn’t a lot of shift. The most significant change was that NDCA went from a complicated matrix of tempos that included different recommendations for ProAm vs Professional/Amateur and level (Bronze, Silver, Gold) to a single tempo for each dance. I’ve updated those tempos as well. But there wasn’t any significant shift in direction – none of the tempo recommendations for dances were much faster or slower than previously.
I’m considering adding a “Social” style to the Americana and International styles that are dictated by the Ballroom associations. It’s certainly true that even ballroom dances can be danced to a broader range of tempos than what is dictated by competition rules, and the site should reflect that.
All of this is to lead up to a couple of specific requests for anyone who has some expertise in these areas.
- Please let me know if you have an issue with any of the tempos I list on the site. I depend on the community to help keep me up-to-date and catch any errors. While there isn’t a “right” answer unless stated by competition rules, I’d like to do my best to land on numbers that are not “entirely wrong.”
- Specifically, if anyone has a good source for comfortable or social ranges of tempos for the ballroom dances, I’d like a place to start.
In addition to the above specific requests, if you have comments or suggestions or stumble upon other errors, please feel free to reply to this post or contact me here. And finally, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.
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