Tag Archives: Tempo

Searching for Music

Ask music4dance: How do I find a song that people can dance West Coast Swing and Foxtrot to, or Cha Cha and Rumba, or…

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Some of the most vocal members of the music4dance community are folks who either DJ for their studio’s dances or help build the playlists for their community dances, or some variation of the two. The common thread is that they’re using music4dance at various points in their processes and have been kind enough to share the details with me. This has resulted in a number of features that I am sure help more members of the community than my original interlocutor. Thanks again to everyone who has taken the time to share their experiences with music4dance.

The topic at hand is a recent email expressing appreciation for the ability to use the advanced search feature to find songs that can be danced to two or more different dance styles. I realize that I last blogged about this feature in 2015, before I moved the advanced search features to their own page. I missed this post in the review I went through last year to try to update some of the most out-of-date posts and archive the old ones. So I appreciate the reminder.

A little bit of personal history:

When I was first learning to dance, my teacher tried to get me up and able to social dance quickly, including several smooth dances and several rhythm dances. That was totally and completely beyond my capacity, and I spent the better part of a year taking lessons, occasionally showing up to Friday night dances and stumbling through a song or two, but not feeling very good about it. And stepping on too many toes. I clicked in with dancing when a different teacher took me on and convinced me to enter the in-studio competition with an East Coast Swing “solo” piece (what I would now call an exhibition piece – she choreographed the dance to a specific song. We put on costumes and acted out a little scene as part of the dance – pretty close to what most of the performances on Dancing With the Stars are.

With that experience, I graduated to a comfort level with East Coast Swing that I could show up to a dance and dance that one style for the one in 10ish songs that the DJ played. But wait – there is some overlap between East Coast Swing tempo and Slow Foxtrot, at least for social dancing. And the music is of a similar style, since these dances “grew up together” in the Swing Era. And even better – the people dancing Foxtrot were following line of dance around the edge of the dance floor, so we could tear up the middle of the floor with a swing and not disturb the “official” dance. Now I could be up on the floor for one in 5ish songs, and things were starting to feel better. And the rest is history.

How can music4dance help?

But back to the topic at hand. There is a strong motivation when picking songs for a social dance where many styles are represented (which is often true in a traditional ballroom setting) to cater to music that lets newbies dance what they know.  Music4dance makes this easy. If you want to find songs that fall in the overlap between East Coast Swing and Slow Foxtrot, just go to the Advanced Search page and choose each of those dances in the Dances section and click on All (you want the intersection, not the union). Or click here. Then you might want to whittle down that list to the fast end of the Slow Foxtrot and the slow end of the East Coast range – say 128 to 132 BPM, and you get a manageable list of songs to browse through. You can listen to snippets of most songs directly in music4dance. Or, if you’re a premium subscriber, you can export the list to a Spotify playlist and listen to the full songs.

There are a lot of combinations of dances this technique works for, including the dances from the title of this post – West Coast Swing and Slow Foxtrot or Cha Cha and American Rumba are just a couple. Take it for a spin and let me know what you think. And let me know if you use this alongside other features. Or just drop me a line with how you use music4dance. I always read and respond to feedback.

As always, please let me know if you have any thoughts about the subject of this post or the site by commenting below or using other feedback mechanisms listed here. And if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

Create a Spotify Playlist

One of my initial goals with music4dance was to be able to create playlists to dance to.  I can finally say that I’ve got this working in a way that is close to my original vision at least for Spotify. The idea is, for instance, that I’d like to build a playlist of Foxtrot songs…

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New Feature: Filter by Song Length

If you’re trying to get a playlist together for a social dance, it would be nice for the songs to be a reasonable length for your audience.  I realize that DJ tools will let you manage this in multiple ways, but sometimes it’s just easier to start with songs in the length range you’d like. There are…

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Add to a Spotify Playlist Directly from music4dance

A number of people have told me over the years that they create custom Spotify playlists by browsing the music4dance catalog and selecting individual songs. I’ve had ambitions to do all kinds of things to create and manipulate playlists. But it occurred to me, based on a recent conversation, that just the ability to easily…

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Music and Dance

Ask music4dance: Why are the tempos that music4dance lists for Salsa wrong?

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I’ve addressed questions about tempo in several different ways over the years, and I appreciate the continued feedback, as there is absolutely room for improvement in how the music4dance system handles tempo.

Algorithms are far from perfect:

The issue at hand is that many of the tempos listed for Salsa were exactly half the speed at which one would dance. There is a straightforward explanation for this. Many of the tempos listed on the site are algorithmically generated. The algorithms are decent at this point for many types of music. But with some music (and Salsa definitely falls into this category), the algorithm “hears” a double-time or half-time beat and chooses that over the “correct” tempo for the dance.

I have several mitigations for what I think of as “shadow” tempos that I’ve implemented over the years, including a new one that was prompted by the email that also convinced me to write another post on this subject.

First, the system prefers a user-entered tempo over any algorithmically generated tempo, even if the latter is more recent (the general default for conflicting information is to believe the most recent edit). I currently don’t open up editing tempos to every user, but contact me with an example of something you’d like to change for a quick check that we’re on the same page, and I’d be happy to add that permission to your account. The more people we have catching and correcting these issues, the more reliable the site will be overall.

Second, I occasionally do a pass through the database and adjust the tempo values that are obviously outside a dance’s tempo range if halving or doubling them would put them within the dance’s range. I recently ran this process for Salsa, which significantly reduced the number of songs with the issue that prompted the original complaint. I have considered generalizing this algorithm so that if a song is added without specifying a tempo and the system generates a tempo algorithmically, it would make a simple adjustment to double or halve the tempo if that puts it within the dance’s range. But I haven’t pulled the trigger on that yet. In any case, this process still left a few songs tagged as Salsa with very unsalsa-like slow tempos. I’ll dig into that shortly.

The last feature that I hope mitigates this algorithmically generated tempo issue is brand new. People need to understand that a tempo is algorithmically generated and should therefore be taken with a grain of salt1. But there was no easy way in the music4dance user experience to indicate that the system had generated a tempo algorithmically. Now, near each algorithmically generated tempo listing is a small icon of a computer chip; clicking that icon takes you to our help page with information on how tempos are generated.

Image of the song library with algorithmic tempo icons

Different dancers can hear different beats:

But there is another, related issue. It’s not just algorithms that can “hear” a double or half-time beat. Dancers can do the same thing2. The algorithm hearing a half-time beat mentioned above is precisely the opposite problem from the one I discussed in this post, where the tempo was twice what one would dance Bolero/International Rumba to. But it was for a similar reason. Some songs have a strong enough double-time or half-time beat that it’s hard to tell which is the primary beat to count or dance to. When you are actually on the dance floor, this generally doesn’t matter, since if you’re at a salsa club and the choice is between dancing to 190BPM and 95PM, you’ll dance at 190BPM. Or conversely, if you’re in a dance studio where you’ve been studying American Rhythm, and have the same choice, you might choose to dance Bolero at 95BPM (or maybe  Mambo at 190BPM, depending on the feel of the song).

So the remaining songs in the music4dance Salsa catalog that are listed as much slower than one would dance a salsa remain because someone set that tempo based on a different dance where the slower tempo is appropriate (or because they were added with an algorithmic tempo since the last time I did a pass to clean them up). There is no easy way to solve this problem when each song has only one tempo. But I’ve been refactoring the code and the indexing service to make it easier to carry more information about the intersection between dance and song, which would allow us to list a different Salsa tempo than a Cha Cha tempo for the same song. The problem is that we would have to save a tempo field for every song/dance combination, even in the most common case where all dances to a given song are at the same tempo. I need to do some more testing to make sure that doesn’t degrade the overall search experience. The more I hear from you that this limitation is frustrating, the higher it will rise on my to-do list.

As always, please let me know if you have any thoughts about the subject of this post or the site by commenting below or using other feedback mechanisms listed here. And if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

Footnotes

  1. This strikes me as ironic, since I vibe-coded this feature using GitHub Copilot and Claude. And even though the underlying algorithmically generated tempo issue existed long before the current generative AI situation, it has a similar feel to me. ↩︎
  2. It’s also really fun to be able to dance a different dance than the rest of the room if you can make it work, but that may just be my rebel nature. ↩︎

What Happens When a Song is Danced at Different Tempos?

Sometimes, a song can be a perfectly good Bolero when heard one way but a Salsa when counting the music differently. Another example is Slow Dance (Castle Foxtrot) vs. Lindy Hop. Generally, this phenomenon is because, with some music, it’s easy to count what the musicians see as either a half note or a quarter…

msc4dnc's avatar by msc4dnc

Ask music4dance: Why is the tempo range you list for West Coast Swing wrong?

A West Coast Swing DJ contacted me and kindly let me know that the tempo range I had listed for West Coast Swing was “entirely wrong.” The average tempos that she plays are between 90 and 110 bpm, while I listed a tempo range of 112-128 bpm.  Before I dig further into the details, I’d…

msc4dnc's avatar by msc4dnc
About music4dance

music4dance Goes Country (part I)

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One of the most common requests I’ve received is to support Country Western dances. That request has come in many forms, but I don’t have personal experience with Country Western dancing (well, that’s not 100% true, I learned to West Coast Swing at a Country bar in downtown Seattle that my ballroom dancer friends would hang out at after rehearsing). I’m nearly certain that in adapting music4dance to support more country music, I’ll stick my foot in something stinky and get some negative feedback. I’m all right with that – all feedback will make the site better in the long run, just please try to be gentle 🙂 I’ve also stepped on plenty of toes with Ballroom dance which I know quite a bit about, Argentine Tango, which I know a little about and some of the social dances that fall in between on my personal knowledge spectrum.

And music4dance is pretty complicated to begin with, so adding another dimension may make it harder to use. But I’m hoping that, with your help and some iteration on the idea, we can get things to work even better in the long run.

My initial approach to adding Country Western Dance support is to review the organizations that publish competition rules, including tempo information, and see if I can work those dances into the music4dance system in a way similar to how I’ve set up the competition ballroom dances. This turned out to be easier than I expected. All three organizations that I found online (United Country Western Dance Council, World Country Dance Federation, and American Country Dance Association) list eight competition dances. Triple Two, Polka, Night Club Two Step, Cha Cha, Waltz, Two Step, Swing, and West Coast Swing. Only one of those dances wasn’t already in the database (Triple Two). Polka and Country Two Step were random additions early in the site’s evolution because a couple of DJ friends and lists published by ballroom dance studios included enough songs of those styles to make it worth my while to include them.

My biggest question was, should I create new dances for all of the dances that overlapped? After all, the Cha Cha danced in Country Western competitions is certainly not the Cha Cha I learned competing in American Rhythm (heck, the cha cha that the International Latin dancers were learning in the next room wasn’t the same dance either). I decided to follow the pattern that I’ve already established for Ballroom dances with the same name, even if they are pretty different. Rumba is probably the strongest example in the ballroom catalog of two dances with the same name that are not the same dance. But the characteristics of the music that a dancer cares most about are similar – this is true even of Rumba, where the tempo is significantly different.

Not coincidentally, I recently finished a significant project that allowed me to use the core database to easily and accurately search specifically for American Rumba vs. International Rumba. While there are a few drawbacks to grouping America, International, and Country Cha Cha together, there are a lot of advantages both in terms of how the system works internally and in making it easier to find new music for everyone (I’ve always been a proponent of genre-bending in fiction and cross-over choreography in dance).

So, there is now an active “Country Western Competition Dancing” page, and all of the individual dance pages for dances that include Country styles include the competition info for those dances. I’ll continue to tweak some of this information as I get feedback and do more research.

I realized as I was writing this post that I hadn’t addressed the fact that this change also complicated the voting mechanism. I want to encourage folks to vote on a song being a good Cha Cha, but also make it easy for them to specify Country, International, or American. I made some quick tweaks, but this is definitely a feature still under development.

Please let me know what you think (even – possibly especially – if you think I got it completely wrong). I’m interested in whether there are other Country Western dances that I should include, even if they’re not part of the core competition dances. There was a reference to Country Smooth and Country Rhythm rounds in one of the organizations rules, should I be supporting that? I’ve also used the composite tempos from the rules, combining the different levels to give the broadest range. Should I just be using the most advanced category?  What else have I missed?

And as always, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

About music4dance

What Happens When a Song is Danced at Different Tempos?

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Sometimes, a song can be a perfectly good Bolero when heard one way but a Salsa when counting the music differently. Another example is Slow Dance (Castle Foxtrot) vs. Lindy Hop.

Generally, this phenomenon is because, with some music, it’s easy to count what the musicians see as either a half note or a quarter note as a beat. Quarter note vs. eight note is another common variation. At one point, I tried to tag dances as half-time or double-time when I saw songs with this property. But honestly, I can tie my head up in knots when I look back at this. Am I dancing double-time to the music (e.g., stepping twice as fast), or is the music half-time to my dance? And, that ‘solution’ also has the limitation that there is no way to sort or filter on tempo and include those songs correctly without doing two searches (maybe 3) and then weaving the results together ‘manually.’

And that doesn’t even take into account Waltzes, where you can get into other fun variations that I talked about in my fake waltz post.

A more robust solution to this problem is to have a separate tempo field for each dance. This would only be filled in if the dance had a positive number of votes. Then, if you search on Foxtrot and sort by tempo, the Foxtrot tempo field will be used. If you search on multiple dances or didn’t include a dance in a search and sort on tempo, I’d have to default to some master tempo field. If I went down this path, I’d have to populate the ‘dance’ tempo fields off of the master tempo fields by default and do some manual searching for the exceptions (and depend on others to update them as they see them).

What do you think? Would this be a significant improvement in how you use music4dance? Or is it a corner-enough case that you’ve never noticed and would prefer I spend my time on improvements in other areas?

Please share any thoughts and ideas about this post or the site by commenting below or using other feedback mechanisms listed here. In addition, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

Searching for Music

I’m a ballroom dancer. Can I find practice songs that are at competition tempo? (Revisited)

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This is an update to a post I wrote in 2015. Music4Dance has come a long way since then, so the answer to the title question is completely different than it was nearly a decade ago.  In fact, the top-level answer is so simple I was tempted to just put a note at the top of the old post, but I had a few other things to say, so I went this route instead.

So here it is: Go to the Ballroom page and check it out.  The page is accessible from the “Music” menu.

A table showing the tempi of American Smooth dances

Clicking on the round title takes you to a page with more information about that style.  For the American styles, that includes other dances that aren’t part of a round.

The Competition Ballroom page has sections for American Smooth, American Rhythm, International Standard, and International Latin. Each section contains basic information about the dances, including tempo in measures per minute and beats per minute1 for both of the major organizations that run Ballroom Dance Competitions.

Clicking on any tempo listings will take you to a list of songs tagged with that dance style and set to within that tempo range.  Note that I’m not currently also filtering on the American or International tag on the dance. This is for two reasons. First, the underlying database, which has a lot of excellent qualities, won’t let me do that particular search.  Second, because many of my sources don’t routinely specify the style, we’d be leaving out many great songs if we filtered that tightly.

And that’s it!

Here are some additional things that you might want to try that are adjacent to the simple answer:

If you disagree with the tempo listings and believe they’re wrong, please let me know, and if possible, cite your sources.  Tempo recommendations change occasionally, and I’m not always on top of the changes – the NDCA made some substantial changes a couple of years ago, and it took me over a year to notice.

If you want to find songs that are slower or faster than the listed tempos (e.g., if you want a slow set and a fast set), you can go through the process above and then click “change search” on the results. This will take you to the advanced search page, where you can change the tempo range without changing anything else and re-run the search.

If you have a premium subscription you can export the results of any of the above searches to Spotify.

If you would like to have this kind of support for other styles of dance, let me know where I can find reliable tempo information, and I’ll look into adding them. Some similar functionality is available on all of the dances we list, but the full tables only make sense if we have the kind of information that the ballroom dance organizations give for their competitions.

As always, I’m very interested in your feedback, so please share any thoughts and ideas about this post or the site by commenting below or using other feedback mechanisms listed here. In addition, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

  1. Before you ask, I’m leading with “Measures Per Minute” rather than “Beats Per Minute,” as that’s how NDCA and DanceSport list tempo in their rules. If anyone in the ballroom world knows why that is, please let me know. ↩︎
Music and Dance

Ask music4dance: Why is the tempo range you list for West Coast Swing wrong?

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A West Coast Swing DJ contacted me and kindly let me know that the tempo range I had listed for West Coast Swing was “entirely wrong.” The average tempos that she plays are between 90 and 110 bpm, while I listed a tempo range of 112-128 bpm. 

Before I dig further into the details, I’d like to take a moment to thank this DJ and everyone who has taken the time to point out issues with the site.  Curating a site like music4dance is a big job, and mistakes will creep in. So, having the community members speak up when they see something that seems wrong is essential to keeping the site as accurate as possible.

In this particular case, I found it surprising that the information I listed was entirely wrong.  I don’t claim to be an expert on all (or even most) of the dances I cover on the site.  But West Coast Swing is one of the dances I’m most comfortable actually dancing.  My first thought was that some kind of regional difference was going on.  But one of the DJs my interlocutor referred to plays at a venue I’ve danced at within the last decade.

My second thought was that this was a difference between the Ballroom community and the “Westie” community.  That’s a bit closer to the mark. But as mentioned, I have done some social WCS dancing in the same venues where the DJs write about playing much slower tempos than I’m used to, so it couldn’t be the whole story.

The only other thing I could think of was that dances evolve over time.  This is especially true with dances like WCS, which are danced to popular music that is also changing.  In fact, that’s one of the things that I enjoy about WCS.  As primarily a ballroom dancer, WCS is the dance that I can take out to a club and just get funky with.  So, I’m pretty sure the combination of these three things brings me to a reasonable explanation of the difference that prompted the original email.

Dances evolving over time is something that both intrigues me and confounds the part of my brain that wants to be able to neatly categorize things.  And the categorizing part of my brain is fairly dominant in building a site like music4dance.

One of the reasons that it even occurred to me that I could do this kind of categorization is that competition dances tend to “lock in” the tempo somewhat, at least for competitions where the DJs are required to play music within a specific range.  That is true of Ballroom competitions but apparently not true of West Coast Swing competitions. I’ve updated my WCS social tempo to 80-130bpm, the broadest tempo range suggested by DJ Koichi Tsunoda in his post. This is the most authoritative source I could find.  It doesn’t look like World Swing Dance Council or National Associate of Swinge Dance Events publishes requirements or recommendations for WCS tempo.

Contrary to my previous point, even Ballroom dance tempos evolve.  I discovered that the Ballroom Dance organizations (NDCA and DanceSport) updated their tempo recommendations for competition dances since the last time I looked.  But there wasn’t a lot of shift.  The most significant change was that NDCA went from a complicated matrix of tempos that included different recommendations for ProAm vs Professional/Amateur and level (Bronze, Silver, Gold) to a single tempo for each dance.  I’ve updated those tempos as well.  But there wasn’t any significant shift in direction – none of the tempo recommendations for dances were much faster or slower than previously.

I’m considering adding a “Social” style to the Americana and International styles that are dictated by the Ballroom associations.  It’s certainly true that even ballroom dances can be danced to a broader range of tempos than what is dictated by competition rules, and the site should reflect that.

All of this is to lead up to a couple of specific requests for anyone who has some expertise in these areas.

  1. Please let me know if you have an issue with any of the tempos I list on the site.  I depend on the community to help keep me up-to-date and catch any errors.  While there isn’t a “right” answer unless stated by competition rules, I’d like to do my best to land on numbers that are not “entirely wrong.”
  2. Specifically, if anyone has a good source for comfortable or social ranges of tempos for the ballroom dances, I’d like a place to start.

In addition to the above specific requests, if you have comments or suggestions or stumble upon other errors, please feel free to reply to this post or contact me here. And finally, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

Translating how dance teachers count

Something came up the other day as I was talking to a friend who just took his first social dance class. He has a musical background and is used to hearing and counting beats as a musician. So he got a little obsessed and distracted with figuring out the translation between what he was hearing…

msc4dnc's avatar by msc4dnc

Do Dancers Think in Eights?

I was tickled to hear Nigel Lythgoe talk a little about choreographing tap on a recent episode of So You Think You Can Dance. The commentary is at about 1:13, but please start at about 1:10 so you can see the performance that he’s referring to.  It’s a tap piece that Emma, one of the…

msc4dnc's avatar by msc4dnc
Music and Dance

Translating how dance teachers count

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Something came up the other day as I was talking to a friend who just took his first social dance class. He has a musical background and is used to hearing and counting beats as a musician. So he got a little obsessed and distracted with figuring out the translation between what he was hearing in the music and what he was hearing from the dance teacher. In this casual intro to partner dancing class at the local community college, he was learning Night Club Two Step, Salsa, and East Coast Swing.

We dance all of those styles to music in 4/4 time. So, as someone with musical training, my friend heard the beat as 1 - 2 - 3 - 4 - 1 - 2 - 3 - 4, etc. But that’s not how the dance teacher was counting. Let’s break these down dance by dance.

Night Club Two Step

Night Club Two Step is generally counted as Slow - Quick - Quick.  For most dances that I count this way or the slight variation Quick - Quick - Slow, the Slow is two beats, and the quicks are each a single beat. The translation is straightforward: In the first case, the quicks are on 1 and 2, and the slow is on 3. In the second, the Slow is stepped on 1, and the quicks are 3 and 4.

– or –

Each box represents a quarter note in 4/4 time.

Salsa

Salsa is even easier. If it’s counted using slows and quicks, it’s Quick - Quick - Slow. Translation: quicks on beats 1 and 2 and slow on 3, holding 4. But many salsa teachers count the phrase, which is a two-measure grouping in dance. When they do that, they generally count 1 - 2 - 3 - (pause) - 5 - 6 - 7 - (pause). That’s my preferred way since it aligns with the musical counting of the beats. Occasionally, I’ve heard a Salsa teacher count 1 - 2 - 3 - (pause) - 4 - 5 - 6 - (pause). That variation drives me up the wall. It completely breaks my musician/programmer’s brain because the second measure is counted with numbers that are off by one from what’s in my head. Fortunately, my friend wasn’t exposed to that variation. 

Each box represents a quarter note in 4/4 time.

East Coast Swing 

East Coast Swing is more complicated for a couple of reasons. 

First, it is generally counted as Tri-ple-step Tri-ple-step Rock Step. Or 1 & 2 - 3 & 4 - 5 - 6. We’re dancing a 6-count basic to 4/4 music, so each basic takes a measure and a half. This timing throws a monkey wrench into counting it like a musician. If you want to be a stickler, it would be something like 1 & 2 - 3 & 4 - 1 - 2, and then the following basic would be 3 & 4 - 1 & 2 - 3 - 4, but I’ve never even tried to do that while dancing. The second is that the triple steps are syncopated, so they don’t fall precisely on the eight notes. But this also maps directly to the music, so it shouldn’t be hard for anyone who has played a bit of Jazz to get their head wrapped around.

Each box represents an eighth note in 4/4 time

Conclusions

Every dance has its nuances. Mambo and International Rumba are counted Quick - Quick - Slow, but start on the 2, Waltzes are danced to 3/4, Samba has its own form of syncopation, etc.

Let me know if you find this kind of analysis helpful and would like this kind of analysis for other dances. I’m considering doing a version of this for each dance on the dance pages, including some prettier charts, if I get some feedback that this is useful. Also, I’d be delighted to hear about other ways you count when partner dancing.

As always, I’m very interested in your feedback, so please share any thoughts and ideas about this post or the site by commenting below or using other feedback mechanisms listed here. In addition, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

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Do Dancers Think in Eights?

I was tickled to hear Nigel Lythgoe talk a little about choreographing tap on a recent episode of So You Think You Can Dance. The commentary is at about 1:13, but please start at about 1:10 so you can see the performance that he’s referring to.  It’s a tap piece that Emma, one of the…

msc4dnc's avatar by msc4dnc

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Special Occasions

We’d like to dance a “real” partner dance as the first dance at our wedding (Part I: We already chose our song)

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Wedding season is upon us, and one of the things that come with weddings is receptions with first dances, father/daughter dances, mother/son dances, mother/daughter dances, and any other variation you can think of. I think it’s extra special when those dances are recognizably partner dances like Foxtrot, Rumba, or Swing. Of course, I have a bit of a bias.

If you want to find a dance that fits the song you love, here are some things that can help. In my next post, I’ll cover the other direction – finding a song to fit your dance.

First, consider visiting your local dance studio and asking a professional. The other professional that could help is your wedding DJ; sometimes, they are also dance teachers or at least know a dance teacher to connect you with.

In tandem with going to a professional, some features of music4dance.net can help. The first is to try searching for your song – you can type the title into the search box in the menu bar or on the Song Library page. If it’s a particularly popular song, you might also include the artist to see if you can get to the specific version of the song. But oftentimes, variations on a song by different artists still maintain enough of the same characteristics to be danced to the same dance. So be creative in your search and see what you come up with.

For example, try typing “Fly me to the moon” into the search bar – including the quotes to get songs with that full title rather than all the songs with those keywords. And we’re probably most interested in the Frank Sinatra version, so scroll down to that or add Sinatra (outside of the quotes) to the search.

You can already see which dances folks in the music4dance community have voted on to dance to this song. There is quite a spectrum. If you click on the song title, you will get more details. Among other things that will show you that Slow Foxtrot is the most-voted dance for this song, some folks have voted for East Coast Swing and Jive but have noted that it’s slow for those dances. That’s not necessarily bad; you could speed up the song a bit (modern technology is fantastic) and get it to something still slow for ECS but not crazy slow – which might be just the right tempo for a first dance.

But what if you can’t find the song in the music4dance catalog? There is another tool that can provide some help. Try looking at the tempo counter tool (and its help page). Counting out the song’s tempo in this tool will show you which dances can technically be danced to the song. The tempo counter result doesn’t tell you anything about if the style of the song fits the dance. But this is also pretty interesting because if you’re going to go all the way and choreograph a first dance, sometimes doing something that’s a little out of a stylistic mismatch can be pretty effective. Choreographing a dance to a song that doesn’t quite fit is frequently done with showcase dances like those you see on Dancing with the Stars and can be very effective in creating a memorable wedding dance.

I hope this helped and that you really enjoy your first dance, not to mention the rest of your wedding and reception.

If you used the second method I mentioned or the help of a professional to find a song/dance combination for any of your wedding dances, please consider becoming part of the music4dance community and adding your wedding songs to the catalog.

As always, I’m very interested in your feedback, so please share any thoughts and ideas about this post or the site by commenting below or using other feedback mechanisms listed here. In addition, if you enjoy the site or the blog (or both), please consider contributing in whatever way makes sense for you.

P.S. This is a reboot of a very early blog post I wrote in 2015. Since the site has been through a couple of significant over-hauls since I wrote the first pair of wedding music posts, I think it’s worthwhile revisiting them. I may end up doing a more systematic rewrite. In that case, I’ll try to figure out a better way to index the posts to remove duplicates and/or make the fresher content pop up ahead of the old content.

About music4dance

Would you like more content on music4dance.net? If so, what kind?

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Brad’s comment on my Single Swing post made me realize that I’ve done a bunch of research on dancing and dance music that I haven’t effectively conveyed on the site or the blog. He pointed me to a site that listed tempo values for Single Swing that I already had in my notes and used when doing some of my earlier set-up of dances. But I didn’t credit that site or put a reference to it anywhere on music4dance.

So I started down the path of sorting out my notes with the intent of adding a whole bunch of new references to source material throughout the music4dance site. Since much of my initial research is over a decade old, can you guess what I discovered? I won’t keep you in suspense. A working majority, more than 75%, of the links that I used to research music4dance were dead. Most of those were sites that completely disappeared, a few were reworked and dropped the pages I was interested in, and a very few still had the content but at a different location.

Now, that lead me down the path of how many dead links I have on the site. As a programmer, I took a few hours off my content investigation to write a link checker. I was relieved to see that of the external content links I have on the site, less than a dozen were stale. On the other hand, the total number of those links is less than a hundred, so it was still about a ten percent failure rate. (I’m excluding links to songs, I know there is a significant amazon link issue that I need to deal with at some point).

The conclusion: I’m less excited about spending a bunch of time beefing out reference sections for dances and other content. But now that I’ve got the link checker in place, I could do that in a reasonably maintainable way.

This brings me to the main point of this post. I’ve been neglecting content again while spending time keeping code updated and adding features. So, I want to ask you what you’d like to see on the site. To start the conversation off, here are a few things that I’ve heard:

  • More references to information about dances
  • More detailed descriptions of dances
  • Additional dances (Kizomba and Country dances have been the biggest asks other than Single Swing, which is what kicked this all off)
  • More information about dance tempos, where they come from, what they mean, etc.

I’m sure you have many other ideas, so please let me know. I will kick this off by asking folks to add to the comments section of this post (or, if you prefer, you can message me privately). If I get enough interest, I’ll also set up a survey.

And while you’re at it, please let me know if there are other sites relevant enough to music4dance that it would make sense to add links.

As always, if you enjoy the site or the blog (or both), please consider helping by contributing in whatever other way makes sense for you.

Searching for Music

New Dance: Single Swing

5 Comments

I’ve added Single Swing as a dance style that can be searched on and voted for in the music4dance catalog. While I think of this dance as a short-cut to use when I want to dance East Coast Swing to faster Jive or Lindy-Hop music, I’ve received enough feedback from the community that it’s considered a unique dance in its own right that I am happy to add it. From some light searching on this dance, it has gone by several names in different regions and times. Some of the names I saw were “Sing-time Swing,” “Single rhythm swing,” and “East Coast Single Swing.” It’s also one of several dances that have been called the Jitterbug at some point in the twentieth century.

I set the initial tempo to 140-184 beats per minute (35-46 measures per minute), which I found listed in several places. Since, as far as I can tell, this isn’t a competition dance, I haven’t found an “official” tempo range and am happy to adjust if someone with more expertise in this particular dance would provide feedback. I also seeded this list of songs with publicly available lists that sounded reasonable. Please feel free to go through to vote up other swing songs that you think are good fits for this dance. You can do this by adding songs or by searching for Swing songs in the Single Swing tempo range and voting up the ones that sound like good Single Swings. I’m also happy to bulk upload lists if you’ve got a CSV file or Spotify playlist of single swings that you’d like me to include.

Over the past several years, I’ve been moving the site in a direction where I hope to be able to handle more different dance styles and add them more easily. I’m getting closer to being able to add dances quickly. However, to add a lot of different dances, I’ll have to replace the underlying search engine (or wait for it to add some new features – it will be interesting to see which comes first). Some of the things I’ve done are to make lists of dances somewhat flatter and allowing search by name in most places where dances are listed. I’ve loosened the tie between types of dances (e.g., Sing, Waltz, Latin) and dance style, so that dance styles don’t have to be as strictly categorized as before. I’ve also added synonyms to dance styles, so in most places where you see the name of a dance style, other names of the dance are shown in parenthesis.

In any case, I’m always interested in what you think would be most helpful. I’m sure there are plenty of dance styles I’m not cataloging that fit into the broad category of partner dances that are danced to a specific tempo range or style of music. If you have a dance style suggestion or other comments, please feel free to reply to this post or contact me here. In addition, if you enjoy the site or the blog (or both), please consider helping by adding to the Single Swing catalog or contributing in whatever other way makes sense for you.